Thursday, April 7, 2016

Sky Voyager metamorphosis...



Sunflowers and branches are projected upon the Sky Voyager, via the Beseler 23 enlarger. These are the test images from the phone - the film versions to appear later...






Formal profile






Set for night clubbing






Question what I am saying






Coursing beneath

Wednesday, March 23, 2016

Liquid Light to Watercolor Paper









A returner







A returner - redux






Remove before flight






She flies above the highways


Liquid Light on cold-press watercolor paper - from various format film via Beseler enlarger.







NYC



The New York City experience...


















Some random selections from the NYC trip...



The Sky Voyager - in-camera double exposures


The adventures of Sky Voyager


Looking up, looking down




The edge of a dream state




Looking left, looking right




Pensive
(Not a double)




Sky Voyager travels
(Mixed light - combination of incandescent and natural light for the daylight Kodak Portra film.




Somewhere over the midwest




Sky Voyager appears in unusual places




Sky Voyager and the melon



The images are scans representative of the true negative appearance - I do not use photo masks or other digital editing techniques to achieve these images. I will sometimes fix dust spots - other times I will leave the dust - scanning is one of my least favorite things to do - I am increasingly reliant upon letting the photo lab do this, to avoid the dust, and save the time cursing the scanner software.

This is applicable to all images that I post on this sight.



Tuesday, March 22, 2016

Some Doubles...



Adventures in the Spring Sky










Some Kodak Portra 400, a 50 year old Ken, the Nikon F3HP, the Nikkor 55 Micro, 18mm fisheye. 
In- camera double exposures.

Tuesday, December 1, 2015

Liquid Light - Printing to Clayboard


Enlargers are like cats - one follows you home, and then another. An art teacher (Thank you, A.M.!) asked if I was interested in an enlarger a few months ago. I had been thinking about printing images onto things other than traditional paper. I was going to try making contact prints using various sensitized papers in the sun; however, an enlarger would open up a lot of different options.

The Beseler 23C then followed me home. Using Liquid Light, I started to print images (35mm and medium format) onto watercolor paper, clayboard, and wood. The image of the horse is from a 35mm negative - a night-time image of a sculpture in the John and Mary Pappajohn Sculpture Park.


35mm Kodak TMax - night exposure




35mm Kodak TMax - night exposure, version 2

The contrast range for the Liquid Light is limited, and I've had the best result with high-contrast negatives that are uncluttered - bold shapes and subjects that don't rely on a great deal of very fine detail.

Liquid Light requires a surface with a bit of tooth - cold-press watercolor paper works well. Another excellent surface is the Ampersand Clayboard. The Liquid Light sticks well, and the boards are easy to process, and easy to mount in various creative ways. I like to float them inside shadow boxes.

The watercolor paper requires a little more handling. When coating the paper, I use little magnets to hold the paper flat onto rigid plastic sheets - otherwise they curl from the application of the emulsion. After rinsing, the prints are inserted into a Delta Drying Book to flatten and dry.

After rinsing, I use the drying paper on the surface of the clayboard, then set the board onto a small rack to dry.


Clayboard print...

And now, back to the enlargers-as-cats theory... A.M. asked if I was interested in another enlarger - a Beseler 45. Since I have a large collection of large format negatives, it will be a great addition.


Beseler 45 - the scouting photo...

A little disassembly - part of it came home in a tiny car, the rest in the Jeep. It needs reassembly, and I need to figure out the space for it. Both will be used to project images onto various surfaces, as they can tilt to a horizontal position. As winter sets in, there will be plenty of time to experiment.






Tuesday, April 7, 2015

Alternative Photo Printing with Liquid Light

A Beseler 23C II enlarger found space in my basement through a trade with an art teacher. I was not interested in traditional printing - I wanted to print onto unusual surfaces including metal, glass, wood, or various 3D objects. The methods I have been using will be posted later. These are the first images that I have been happy with, onto cold press watercolor paper. Click on the images for a larger view.


Eye'm Amazed

This is Tony Tasset's Eye - 2007 - now on display at the Laumeier Sculpture Park in St. Louis.


Serene Scene

Charles Ginnever's - Crete


Hello? Room Service?

Grafitti on a dumpster in San Francisco.

These images are from 35mm negatives - the first two with the Leica IIIf and 50mm Summicron. Room Service imaged with the Xpan.